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The Second Piano Sonata, Ives’s most expansive work for the instrument, was, according to the composer, “an attempt to present [one person’s] impression of the spirit of transcendentalism that is associated in the minds of many with Concord, Mass.,” of the mid 19th century. Gilbert Kalish performs the landmark work here; his intimate understanding of the piece led the Boston Globe to declare that he “quite simply owns this music.”